I can never decide whether to cringe or rejoice when I hear that there is going to be a television show or movie focusing on early America. I enjoy getting the sense of being there through the set and costume, but unfortunately, those are often the most accurate parts. HBO's mini-series John Adams is a bit better than most Hollywood attempts at history, but it falls into the usual trap of oversimplifying events and glorifying the main character.
Let's face it, John Adams wasn't easy to like in his own time; he referred to himself as obnoxious. But since HBO is basing the show on David McCollough's adoring bio of Adams, we have to like Adams at the expense of the other players. Worst perhaps in Jefferson--not surprising--who came off in Part 2 as a background player who just happened to write the Declaration of Independence because Adams told him to do it. The debates over declaring independence take up an entire 1 1/2 hour segment, but as another history blog notes, the common people and Thomas Paine's Common Sense are both left out.
The fun of the show, for me, is seeing the world of the late 18th century. They've shown Boston, Braintree (where the Adams' farm was located), Philadelphia, and Paris so far. I saw the episode set in Paris a few days before I saw the Fragonard room at the Frick Museum (you can actually tour it online), and I was struck by how the art and the salon world in France both have the same color palette and joie de vivre. It's hard to picture John Adams in a rococo world, but I'll give HBO credit for a clever scene depicting just that.
For more on the series' inaccuracies, check out this HNN piece or browse through the journals of the Continental Congress.
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